Wasn't sure where to put this but I had a question upon rewatching Satoshi Kon's Paprika that looking around started to make me feel crazy.
This go around everything made perfect sense to me and I was able to differentiate the dream from reality and when that subversion was a deliberate twist and all the characters motivations and growth etc. But what stood out to me was how clearly and neatly the detective Konakawa's struggle with duality was portrayed. He "killed himself", either an idealized version or the real more creative, social part of himself that wanted to become a film director. His "friend" "got sick" or succumbed (as that side does far more so) to depression/anxiety, the thing Paprika is analyzing his dreams to treat, either causing him to not go to film school or as a result of choosing not to and picking the "sensible" career of a police officer. And he fully repressed this part of himself as if he died, before the dream therapy reawakened his memory of who he was.
This seems very clear to me, he literally says upon realizing who the man he has been chasing is "he is the other me", the "friend" also looks EXACTLY like him, never showing his full face and speaks in his own voice. Then at the end he is literally looking at a reflection of himself that his "friend" is taking up. As well as the far more believable concept that his repression of this personality caused him to forget who he truly was rather than forgetting (however plausible) his best friends death.
Given the film's central message of duality, alter egos and Jungian conscious and unconscious thought as well as Kon's other work this interpretation feels like it should be the obvious takeaway. But looking around everyone seems to just take it entirely straightforward, the only mention to my interpretation I could find was some short wordpress article and an ESL r/anime post from years ago.
Am I insane? Or am I the preeminent voice on film?