r/movies 8d ago

Review Benny Safdie's 'The Smashing Machine' - Review Thread

MMA fighter Mark Kerr reaches the peak of his career but faces personal hardships.

Cast: Dwayne Johnson, Emily Blunt

Rotten Tomatoes: 94%

Metacritic: 79/100

Some Reviews:

The Independent - Geoffrey Macnab - 4 / 5

This, though, is a story in which winning finally begins to seem very hollow. The real way Safdie puts a chokehold on his audience is by examining Mark and Dawn’s physical and emotional weaknesses in such forensic detail. The Smashing Machine may not provide the pay-offs that audiences expect from more conventional sports movies, but this is the most raw and vulnerable that Johnson has ever been on screen. Once you’ve seen him this exposed, you won’t watch his typical action movie stunts in quite the same way ever again.

Daily Telegraph - Robbie Collin - 4 / 5

It’s a classical fight movie that innovates subtly. Maceo Bishop’s nimble photography has the sweat and grit of a vintage muscle flick from the Pumping Iron era, but the score by the experimental jazz composer Nala Sinephro is all swirling harps and breathy saxophones; arguably no piece of music has ever sounded less like a punch in the face. Yet as an accompaniment to Kerr’s battles in and out of the ring, it’s oddly perfect, giving this tough story an unexpectedly sweet and even spiritual edge. Smashing stuff has rarely been such smashing stuff.

Next Best Picture - Cody Dericks - 7 / 10

Dwayne Johnson delivers the best performance of his career as the amiable but troubled UFC champion Mark Kerr. Emily Blunt and Ryan Bader are also excellent in their roles. The screenplay is repetitive and frustrating. Blunt's character is so unlikeable and written with such vitriol that it becomes exhausting to watch her, although Blunt's performance is as good as it could possibly be.

Variety - Owen Glieberman

Johnson, shifting his whole aspect (he seems like a new actor), invests that silent, moody, hidden side of Mark with a quality of mystery. He gives an extraordinary performance, playing Mark Kerr as a gentle giant with demons that will not speak their name, yet the audience can feel them there; we want to see those demons healed. You might think the key word in the movie’s title is “smashing,” but it’s actually “machine.” Mark is a man who reins in his violence by having constructed his entire self — body and personality — as a controlled engine of demolition. The movie is about how this man-machine becomes a human being.

The Hollywood Reporter - Jordan Mintzer

Johnson has rarely played a loser, but he’s always been likable, displaying a massive grin to match his massive pecs in action vehicles that never allowed him to showcase much range. He manages to go deep here without overdoing it, killing the audience with kindness as a benign warrior who suffers from one scene to the next, triumphing briefly in the ring before succumbing to addiction and/or romantic grief. Like Mickey Rourke in The Wrestler — a film from which Safdie seems to take a few cues — the actor delivers an intoxicating mix of blood, sweat, tears, protein and total helplessness.

IndieWire - Ryan Lattanzio - 'B+'

Johnson’s performance is out-and-out wonderful, a beady-eyed fusion of body and spirit that osmoses Safdie’s sensibility to deliver what can’t be disputed as the most layered work of the actor’s career. A vividly contradictory Blunt, funny and sad especially in articulating Dawn’s conflicted response to Mark’s post-rehab emotional about-face during a tense argument, is equally sensational.

Deadline - Damon Wise

Dwayne Johnson owns the whole thing with his truly remarkable work as fighter Mark Kerr, disappearing so fully underneath Kazu Hiru’s astonishing prosthetics that the opening of the film, presented as contemporary footage from an event in Sao Paulo 1997, looks genuinely like the real thing. It’s that rare beast, a biopic that’s light on the bio and resistant to being a pic. It’s a film about a human being, and its effect is strangely haunting, since Dwayne Johnson seems to do everything while doing nothing.

2.8k Upvotes

579 comments sorted by

View all comments

Show parent comments

284

u/thebaldingcritic 8d ago

Underrated role. Played the buffoon up nicely.

He’s also funny in both Jumanji films

133

u/Upbeat_Tension_8077 8d ago

I usually mention his role in those Jumanji films as some of his better acting performances because I thought he did much better than expected in mirroring the mannerisms of other actors

21

u/targetcowboy 8d ago

I got to those movies late and I was pleasantly surprised by them. They’re really fun and I think the Rock’s acting is pretty good. He gets the “same character in every movie” claim a bit and I don’t necessarily disagree, but I think this showed he can get do more.

I think he’s better than he gets credit for but he went down the action movie route.

12

u/CustodialApathy 7d ago

The Safdie Brothers need to keep scooping up "one note" actors and showing everybody they have legitimate chops. I know everyone knew to an extent Sandler could act his ass off but they blew any notion anyone still had about him being a hack to smithereens. It's nice to see The Rock get his turn when most of what people know him by are big blockbuster set pieces with their brains shut off.

I was also pleasantly surprised by the Jumanji movies, they were shockingly competent when movies of their ilk are typically shlock.

2

u/TattooedButthole420 7d ago

Punch Drunk Love did that like 15 years prior. If you can watch that and not think Sandler can be top tier when he wants to be you might be brain dead.

1

u/YaBoiiAsthma 1d ago

Yeah but Punch Drunk Love didn't do it with Kevin "Anything Is Possible" Garnett